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BEST & WORST MOVIES OF 2017 including the highlights and some low-lights

Hello everyone

Firstly, a huge thank you for every review you have read, liked, shared, commented on and even chatted to me about in person. Thanks to you and your incredible support, I had a very productive year of film watching and reviewing!

In total, I got to see and review 141 films officially released in 2017 alone, which is 15 more than I was able to see at this same time in 2016! Of these, more than 25 movies received a 4 star rating from me, so I have compiled a ‘Best 25’ list this year as well as a ‘Worst 5’.

I hope you thoroughly enjoy reading this post. I also hope you take away a handful of films to see that you’ve never previously heard of or watched!
As always, please get in touch to share your views and best & worst movies.

I look forward to your continued support and interaction in what will be an even bigger and busier year of film watching & reviewing in 2018, where I hope to review a monthly classic and bring a review or two fresh from my attendance at film festivals!

Moviedoc 🙂

Moviedoc’s Best 25 Movies of 2017

25
WONDER
4 stars

A beautiful and meaningful story featuring a great cast that will make you cry a little but feel plenty of joy

24
PADDINGTON 2
4 stars

As sweet as marmalade itself and a sequel that’s every bit as good, if not better, than the first film. Paddington is no one-trick teddy bear!

23
THE LEGO BATMAN MOVIE
4 stars

Arguably and in my opinion, this is the best rendition of Batman, ever! Utterly hilarious at times and scores Moviedoc’s #1 spot (just!) for best family film of 2017!

22
INGRID GOES WEST 
4 stars

All at once, this is an uncomfortably funny, dreadfully saddening and downright frightening exposé of just how far a social media addiction and obsession can take a person. Highly recommended!

21
GIFTED
4 stars

A splendid drama! One of the most underrated films of 2017! If you haven’t already, it is time to unwrap this true gift of a film.

20
THE BIG SICK
4 stars

A broadly appealing and wholly accessible romantic comedy-drama that’s not only based on a true story but even stars one of the real-life subjects; stand-up comedian, actor and writer, Kumail Nanjiani

19
BABY DRIVER
4 stars

It’s been a solid year for heist movies and this is the best of them. Flawless car chase sequences and an outstanding music score drive this slick and unique heist film. Hopefully BABY DRIVER won’t lose popularity due to co-starring Kevin Spacey, for it absolutely deserves to be seen.

18
MISS SLOANE
4 stars

Enthralling! I’ve been told those who are into TV Series “House of Cards” will want to see this. Sorry for making another connection to Kevin Spacey!

17
FENCES

4 stars

Can be a challenge to watch, especially during the first half. However, Denzel Washington’s Oscar-nominated performance playing a character he’s portrayed on Broadway 114 times before and Viola Davis’s Oscar-winning acting are so stellar in a movie that becomes absolutely riveting

16
THE BEGUILED
4 stars

Beautifully filmed and impeccably acted by one of the stand-out ensemble casts of the year. An excellent film from director Sofia Coppola.

15
MOONLIGHT
4 stars

You haven’t seen a story quite like the one told in MOONLIGHT before. This is the Best Picture Winner at the 2017 Academy Awards earlier this year. Brave and heartfelt storytelling.

14
MOUNTAIN
4 stars

A majestic and breathtaking cinematic experience. The Australian-made MOUNTAIN is 2017’s best documentary feature.

13
THE SALESMAN
4 stars

This is acclaimed Iranian director Asghar Farhadi’s (THE PAST, A SEPARATION) latest feature film. An immaculately devised and strongly executed domestic drama with a gripping finale.

12
DUNKIRK
4 stars

A minimalist war film that draws maximum anxiety and exacts a claustrophobic stranglehold over its viewers from start to end thanks largely to the ever-present score by Oscar-winning film composer, Hans Zimmer

11
HOUNDS OF LOVE
4 stars

A similar breed of film to 2011’s SNOWTOWN, HOUNDS OF LOVE is an unnerving and tense dramatic thriller that showcases an outstanding music score, cinematography and acting. The best Australian film of 2017.

10
LAND OF MINE
4 stars

An Oscar-nominated foreign film taking place after WWII, which depicts a group of very young German POWs sent to Denmark to clear thousands of hidden land mines. Stomach-turning tension is guaranteed.

9
LOVING VINCENT
4½ stars

The first-ever oil painted feature film about Vincent van Gogh is never solely limited to its visual capabilities. A sublime film.

8
SILENCE
4½ stars

Martin Scorsese’s passion project and three-hour epic is a bravely written piece that is expertly penned toward the most religiously devout. A near-masterpiece.

7
WAR FOR THE PLANET OF THE APES
4½ stars

The PLANET OF THE APES film series is now officially one of my favourites, if not my absolute favourite film franchise. Combines mesmerising CGI and cinematography with a powerful and relevant story that has a strong message for humankind. I just love it!

6
MANCHESTER BY THE SEA
4½ stars

The storytelling structure, its well-studied account of key themes and the honesty of its writing and character depiction achieves MANCHESTER BY THE SEA A-grade status.

5
PERFECT STRANGERS
4½ stars

What happens when a close-knit group of friends meet for dinner and share every text message, email and phone call received with one another? You will want to find out! Italian comedy PERFECT STRANGERS features one of the most cleverly conceived and carefully-considered screenplay’s of the year.

4
GET OUT
4½ stars

Movies as genius as this are few and far between. Masterfully and studiously crafted, intelligently written and flawlessly executed, GET OUT is a broadly appealing and accessible horror film at heart that functions as a menacing mystery invite to all. If you haven’t already, please accept your invitation, pronto! You will not regret it.

3
LADY MACBETH
4½ stars

Witness one of the most conceivably written, daring and exciting character transitions seen in recent years. This fierce, fearless and electrifying film turns the period drama genre on its head in near flawless fashion and is the breakout film for its star, Florence Pugh, who is scintillating. Unmissable!

2
DOWNSIZING
5 stars

The last film to receive 5 stars from me was THE HUNT in 2013! Well, it had to take something very special to break that lengthy drought. Simply put, you have never seen a film quite like DOWNSIZING before. It is extraordinary. I admired its continual refusal to yield to any form of mainstream cinema convention, despite being a mainstream-friendly release. It also unearths one of the truest & most beautifully conceived and written characters I’ve seen in any film. Hong Chau (from acclaimed TV Series Big Little Lies) is just superb as Ngoc Lan Tran, in what is one of this year’s acting highlights. Absolutely amazing in every way imaginable.

THE BEST MOVIE OF 2017

CALL ME BY YOUR NAME 
5 Stars

It took me until February, 2018 to see this sensual and picturesque masterpiece. CALL ME BY YOUR NAME not only met my high expectations, it by far exceeded them. This slow-building drama set in northern Italy during a hot summer in 1983 is so precise and honest yet powerfully subtle in its articulation of the complex emotions and sensitive scenarios involving its characters. It takes some time for the forthcoming relationship to develop, yet does so organically and in complete avoidance of all stereotypes. By the time its extraordinarily moving and meaningful finale arrives, CALL ME BY YOUR NAME simply overwhelms. The ultimate meaning and key themes of this beautifully produced film earn an equal amount of appreciation as the stunning production, stand-out score and immaculate performances achieve.

Armie Hammer and Timothée Chalamet in Call Me by Your Name (2017)

Moviedoc’s Worst 5 Movies of 2017

5
BAYWATCH
1 ½ stars

Not even the charismatic Dwayne Johnson can save BAYWATCH from drowning in its own dump.


4
CHIPS
1 ½ stars

Unfunny. Sexist. Nasty. Avoid!


3
JIGSAW
1 star

Jigsaw may do a Jesus by way of his resurrection, however he is certainly no saviour to the eternal damnation sentenced upon the viewer in this dreadful reboot. Now, please stay dead.

2
SNATCHED
1 star

Goldie Hawn should have remained in her fifteen-year movie hibernation. Terrible movie.

THE WORST MOVIE OF 2017

T H E  M U M M Y
1 star

An unacceptable first instalment in Universal’s rather forced Dark Universe film series that seemingly exists purely to rival Marvel and the like. Yet sadly, THE MUMMY still grossed $409.1 million worldwide, which means there’ll probably be more to come. A score of just 5.5 on IMDB and 16% on Rotten Tomatoes more than justifies why this utterly dreadful reboot is the worst of the 141 movies released this year I have seen.

Still with me? Good! Now we go to some highlights and low-lights of 2017

The acting stand-outs of 2017

Timothée Chalamet in CALL ME BY YOUR NAME
Hong Chau – DOWNSIZING
Florence Pugh – LADY MACBETH
Emma Booth and Stephen Curry – HOUNDS OF LOVE
Naomie Harris – MOONLIGHT
Denzel Washington and Viola Davis – FENCES
Aubrey Plaza – INGRID GOES WEST
Teresa Palmer – BERLIN SYNDROME
Barry Keoghan – THE KILLING OF A SACRED DEER
Sonia Braga – AQUARIUS
Oscar Isaac – SUBURBICON
Hugh Grant – PADDINGTON 2
John Lithgow and Salma Hayek – BEATRIZ AT DINNER
Nicole Kidman – THE KILLING OF A SACRED DEER & THE BEGUILED
Dev Patel and Sunny Pawar – LION
Pierre Niney and Paula Beer – FRANTZ
Brian Cox – CHURCHILL
Jessica Rothe – HAPPY DEATH DAY
Tiffany Haddish – GIRLS TRIP
Sally Hawkins – MAUDIE
Hugo Weaving – JASPER JONES

Films to add to your watch list not in my Best 25 from 2017

PATRIOT’S DAY
LIFE
BATTLE OF THE SEXES
THEIR FINEST
A MONSTER CALLS
COLOSSAL
LION
COLLATERAL BEAUTY
SUBURBICON
THE BOSS BABY
BERLIN SYNDROME
LOGAN

Most over-rated and/or most disappointing films from 2017

KINGSMAN: THE GOLDEN CIRCLE
JACKIE
MURDER ON THE ORIENT EXPRESS
VICTORIA & ABDUL
THINGS TO COME
THE SNOWMAN
A CURE FOR WELLNESS
GOD’S OWN COUNTRY
LOVING
A SILENT VOICE
ALONE IN BERLIN
TRESPASS AGAINST US
GOLD

The highlights in films from 2017

Hong Chau’s character in DOWNSIZING
The uniquely hand-painted visual experience in LOVING VINCENT
The extreme slo-mo’s in HOUNDS OF LOVE
The development of the relationship and the first intimate scene between Elio and Oliver in CALL ME BY YOUR NAME
The atmosphere and the battle sequences staged in DUNKIRK
The real footage of a tightrope walk between two mountain peaks in MOUNTAIN
The final dinner table scene in THE BEGUILED
The car chase sequences and the music score in BABY DRIVER
A reaction from a particular water monster in THE LEGO BATMAN MOVIE
The birthday party sequence & guest arrivals in TONI ERDMANN
The visual and aural experience in GHOST IN THE SHELL
The dialogue and its delivery from Tiffany Haddish in GIRLS TRIP
The final action sequence on the ice in Iceland in THE FATE OF THE FURIOUS

Best horror film

GET OUT
(A clear stand-out, however if that’s not scary enough for you, then try out IT COMES AT NIGHT, HAPPY DEATH DAY and IT. None of these films managed to scare me though!)

Best crying film
A MONSTER CALLS
(Even though its title suggests this belongs in the above category! Not the first time director J.A. Bayona has claimed this spot at the end of the year. THE IMPOSSIBLE was his previous movie)

Best lol film

PERFECT STRANGERS
(However, if you want something more mainstream, then try GIRLS TRIP)

Best love story or romantic film

CALL ME BY YOUR NAME

Most unique/strange films

THE KILLING OF A SACRED DEER
MOTHER!

Highest Grossing Film – Worldwide

BEAUTY AND THE BEAST
($1.26 Billion)

Highest Grossing Film – In Australia

BEAUTY AND THE BEAST 
($36.3 Million)

Compiled by Moviedoc
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JUSTICE LEAGUE

Director
Zack Snyder
(BATMAN V SUPERMAN: DAWN OF JUSTICE, MAN OF STEEL, 300)

Stars
Ben Affleck, Gal Gadot, Ezra Miller, Ray Fisher, Jason Momoa, Ciarán Hinds and Jeremy Irons

Many would agree that last year’s BATMAN V SUPERMAN: DAWN OF JUSTICE was a felony committed to the superhero movie universe as well as our own senses. An undoubtedly apologetic continuation to the dull story told there, the reasonably improved JUSTICE LEAGUE is here to seek our pardon. Any admissions of forgiveness granted its way won’t be for its business-as-usual storyline basis, however.

The fifth instalment in DC’s extended universe film series is set not too long after the death of Superman (which you might recall occurred in YAWN OF JUSTICE, if you remained awake for long enough). Bruce Wayne/Batman (Ben Affleck) is seeking the assistance of Diana Prince/Wonder Woman (Gal Gadot; straight out of the pretty good WONDER WOMAN) to fight a new enemy named Steppenwolfe (Ciaran Hinds), who is searching for three energy-containing boxes that will give him an endless supply of power. Along the way, Bruce Wayne and Diana Prince pursue Barry Allen/The Flash (Ezra Miller), Arthur Curry/Aquaman (Jason Momoa) and Victor Stone/Cyborg (Ray Fisher) to recruit them and form a team of superheroes known as the Justice League.


Benefiting from the shortest running time of any DC film so far at two-hours, which in turn enables the pacing to be more consistent, JUSTICE LEAGUE holds itself accountable to delivering solid entertainment that doesn’t take itself too seriously.  While its playful attitude keeps all of the moving parts of this film progressing along quite nicely, the plotting, storytelling and action sequences will not amaze its audience by any stretch. Most of its amusement comes from the wisecracking character Barry Allen/The Flash, with Ezra Miller’s rendition as one of this film’s novice superhero characters bound to be a fan favourite. Speaking of favourites, after a starring role in WONDER WOMAN that was physically great but emotionally grating, Gal Gadot fares much better courtesy of a more relaxed and far less wooden performanceShe blends right in among her combative colleagues. Regardless of the level of enjoyment you may derive from several characteristics that JUSTICE LEAGUE has to offer, Ben Affleck’s representation of Batman stands as make or break for many. Though I highly doubt that this is the film to be the turning point to changing many negative perceptions, the lesser reliance on the character and a more noticeable light-heartedness in Affleck’s portrayal could be the beginning of acceptance and reconciliation before THE BATMAN eventually arrives to the big screen.

3 stars

Viewer Discretion
M (Action violence)

Trailer
JUSTICE LEAGUE

Moviedoc thanks Roadshow Films for the invite to the screening of this film.

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THE BELKO EXPERIMENT

Director / Greg McLean (WOLF CREEK, ROGUE)
Stars/ John Gallagher Jr., Tony Goldwyn, Adria Arjona and Melonie Diaz

In the year 2000, a dystopian Japanese action film was a box office hit in its home country and received audience and critical acclaim across the globe. That film, BATTLE ROYALE (BATORU ROWAIARU), was also slapped with the rare Japanese film classification of R-15 and caused its fair share of controversy, resulting in a ban to show in several other countries.

A plot that draws heavily from that film, THE BELKO EXPERIMENT pitches a premise that involves 80 employees who are working at not-for-profit organisation Belko, located (and shot on location) in the outskirts of Bogota, Colombia. Shortly after each employee has arrived at work one morning, an unknown voice over the intercom sternly advises that they are to kill three of their co-workers, or six others will instead be killed.


Sure enough, this premise does have the propensity to intrigue. However, as the twisted idea unfolds, it soon becomes evident that this experiment is left begging for a dose of originality and bright ideas it is bereft of.

As the initial reactions to the disconcerting announcement are seen, THE BELKO EXPERIMENT does immediately summon an undeniably ominous curiosity. Even though zero effort has been put into the characterisation department, the deadly scenario does demand the full attention of its viewers. Any stranglehold that THE BELKO EXPERIMENT may have cast to this point gradually erodes once the actions of its mostly annoying and unlikeable characters and its plot trajectory become far too foreseeable. GUARDIANS OF THE GALAXY writer and director James Gunn, who writes this screenplay, was also set to direct this film until a last minute change of heart due to personal reasons. Unfortunately for Gunn, Australian filmmaker Greg McLean’s direction is just as uneven as the script itself is. It unsuccessfully attempts to combine a Tarantino-like concoction of excessive and bloody violence with macabre humour, yet doesn’t want to be taken lightly as a work of horror-like thriller either. Adding to the unevenness of this picture are a handful of music-driven, slow-mo’d slaying scenes that never quite fit. Had the finale unveiled a badly needed unforeseen twist, then there may have been warrant to recommend THE BELKO EXPERIMENT. Rather, another obvious development will leave you feeling as though this is something you could have scripted yourself!

Instead, get onto Netflix and watch an episode of the similar yet superior series, Black Mirror. 

2 stars

Viewer Discretion/ MA15+ (Strong themes and bloody violence)

Trailer / THE BELKO EXPERIMENT

Moviedoc thanks Rialto Distribution for the screening invite to this film.

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THE LEGO NINJAGO MOVIE

Directors / Charlie Bean, Paul Fisher and Bob Logan (Feature Film Debuts)
Stars/ The voices of Jackie Chan, Dave Franco, Justin Theroux, Michael Peña, Kumail Nanjiani, Olivia Munn, Abbi Jacobson, Zach Woods and Fred Armisen

The Lego film world raises its third spawn with the release of THE LEGO NINJAGO MOVIE, which is the first theatrical Lego movie to be based on an original Lego property.

Diverting from the original TV series, the plot follows Lloyd Garmadon (voiced by Dave Franco), who by day is struggling with the daily pressures of high school and by night is secretly protecting Ninjago with five other classmates. Each of these teenagers, with the exception of Lloyd, possesses a special power. Kai (voiced by Michael Peña) is the red ninja of fire, his sister Nya (voiced by Abbi Jacobson) is fittingly the ninja of water and her love interest Jay (voiced by THE BIG SICK star Kumail Nanjiani) the ninja of lightning. Then there’s also the ninja of ice, Zane (voice of Zach Woods) and the ninja of Earth, Cole (voiced by Fred Armisen). Lloyd is understandably frustrated that he is seemingly the only participant of his group not gifted with his own special power. To make matters worse, his distant father, Lord Garmadon (voiced by Justin Theroux) has plans to take over and rule the city of Ninjago.


The second spin-off in the growing Lego film series features many of the same materials that were used in constructing exceptionally solid entertainment in previous Lego worlds, yet have produced a feebler finished product in THE LEGO NINJAGO MOVIE.

In total, nine story and screenplay writers (some of which are from the previous Lego movies) have gathered to create THE LEGO NINJAGO MOVIE, which is the highest number of contributors in this filmmaking department in any Lego movie so far. Somehow, their combined efforts aren’t enough to make what is a distinctly familiar plot on paper, to be written with a maintained level of creativity that both previous Lego films were so abundant with. For instance, this animated family film is equipped with the same variety of comedy that worked a treat previously, albeit at a much less frequent occurrence in Ninjago. Instead, the less than exciting computer generated action sequences are licensed to fulfil greater screen time, which result in a rapidly tiring ability for THE LEGO NINJAGO MOVIE to entertain an all-ages crowd. There are moments throughout this animated action-comedy where it displays the wittiness in writing, storytelling and characterisation we’ve now learnt to expect from a Lego movie. Though this time around, those moments are fleeting only.

2 ½ stars

Viewer Discretion/ PG (mild animated violence)

Trailer / THE LEGO NINJAGO MOVIE

Moviedoc thanks Roadshow Films and Village Cinemas, Jam Factory for the invite to this film screening.

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AMERICAN MADE

Director / Doug Liman (THE WALL, EDGE OF TOMORROW, THE BOURNE IDENTITY)
Stars/ Tom Cruise, Domhnall Gleeson, Sarah Wright and Caleb Landry Jones

After a performance in this year’s remake of THE MUMMY that can only be described as being scarier than Scientology itself, Tom Cruise does earn back a healthy percentage of respect with this fine showing in the unbelievable true story, AMERICAN MADE.

We all experience some highs and lows throughout the longevity of our professional careers. For Barry Seal (Cruise), who is a pilot that is recruited into the CIA by agent Monty Schafer (Gleeson), not even the sky is a limitation to the highs that will be achieved in the course of his employment. But as they say, what goes up must come down. AMERICAN MADE exposes the details behind Barry Seal’s covert assignments, which are all connected to the political landscape of the United States during the late 70’s and early 80’s.

Image result for american made film stills
The majority of you are probably well aware of the secret dealings and the scandal that rocked The White House during President Reagan’s reign. Even if there are no new revelations in this area of the story for you, AMERICAN MADE is entirely fascinating to watch courtesy of its lead character’s mind blowing involvement and the outrageous trajectory his life and career take. Seriously, the manner in which this man is pinballed around by several reputable agencies simply needs to be seen in order to be believed!

Director Doug Liman, who previously collaborated with Cruise in EDGE OF TOMORROW, has skilfully produced AMERICAN MADE to be a slick and amusing affair. Considering that the situations Barry Seal faces warrant a tense viewing experience, the fact that Liman has rightly identified an opportunity to apply levity to Seal’s precarious journey is credibility to his vision and execution as director. The screenplay by Gary Spinelli, which was featured on the 2014 Black List of most liked unproduced film scripts, articulates all of its remarkable detail with real precision and clarity. Complementing the writing work is the perfectly pitched pacing, several impressively filmed flight sequences and the locations used for filming (in Colombia and the U.S). 

AMERICAN MADE is the more chilled-out and less action-packed cousin of WAR DOGS.

3 ½ stars


On a side note, a small mention should go to a couple of crew members who tragically lost their lives on the last day of filming in a plane crash. Rest in peace, stunt pilot Alan D. Purwin and co-pilot Carlos Berl.

Viewer Discretion/ MA15+ (Strong coarse language) 

Trailer / AMERICAN MADE

Moviedoc thanks Universal Pictures for the invite to the screening of this film.

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VALERIAN AND THE CITY OF A THOUSAND PLANETS

Writer & Director / Luc Besson (LUCY, THE FIFTH ELEMENT, LÉON: THE PROFESSIONAL)
Stars/ Dane DeHaan, Cara Delevingne, Clive Owen, Sam Spruell, Ethan Hawke and Rihanna

Costing as much as €197.47 million (U.S $210 million) to produce, most of which was personally funded by director Luc Besson, VALERIAN AND THE CITY OF A THOUSAND PLANETS is easily the most expensive film ever to be made in France.

Based on the French Science-Fiction Comic Book Series “Valerian and Laureline” written by Pierre Christin and illustrated by Jean-Claude Mézières, the plot for VALERIAN AND THE CITY OF A THOUSAND PLANETS is loosely based on the sixth album in the series.

It is the 28th century in Alpha, a space station where millions of species, including humans, from a thousand planets all peacefully coexist. Special agents Valerian (Dane DeHaan) and Laureline (Cara Delevingne), who belong to the human division, are assigned a new task by Commander Filitt (Clive Owen), who has identified a dangerous and dark presence within the space station. Valerian and Laureline must travel to this section of the station and stop the unknown force from spreading before it threatens to cause harm to Alpha’s entire population.

Valerian_Pic#11
Truth be told, VALERIAN AND THE CITY OF A THOUSAND PLANETS isn’t at all difficult to like.

Its intentionally broadly accessible plot and structure will understandably be labelled as unoriginal. And sure, this aspect of the film is surprise-free. Visually however, there can be no arguing that Besson’s film is attention-diverting at the least and unique at its best. How could it not be? In total, there are 2,734 special effects shots and 200 alien species! Luc Besson was inspired by what was achieved by James Cameron in AVATAR. Although this science-fiction action-adventure movie is never really magical to witness as Cameron’s epic film was for many, there are other means to credible entertainment constantly on offer. Take the film’s temperament for instance, which is often light-hearted and incorporates a sufficient supply of sometimes lame, albeit funnier moments. Legendary music composer Alexandre Desplat’s score for the film is customarily brilliant and DeHaan & Delevingne, who share solid chemistry, work surprisingly well together.

This entry-level sci-fi/fantasy flick finds the right balance for a varied audience. The straightforward storytelling and mainstream characterisation won’t make any newcomers to the genre feel too out of this world. As for genre aficionados, although these aspects of the movie certainly won’t blow them out of this world, the more specific details and the cosmic aura of the film is likely to compensate for any lack of imagination in storytelling that is detected.

3 stars

Valerian_Pic#08

Viewer Discretion/ M (Science-fiction violence) 

Trailer / VALERIAN AND THE CITY OF A THOUSAND PLANETS

Moviedoc thanks entertainment One for the invite to the screening of this film.

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ATOMIC BLONDE

Director / David Leitch (Feature film debut)
Stars/ Charlize Theron, James McAvoy, Toby Jones, John Goodman, Eddie Marsan and Sofia Boutella

In preparation for her newest role, ATOMIC BLONDE star Charlize Theron not only worked with eight personal trainers but also trained with Keanu Reeves as he prepared for his action movie, JOHN WICK: CHAPTER 2. In fact, there is a lot of JOHN WICK in ATOMIC BLONDE, including the feature debut of uncredited JOHN WICK co-director David Leitch.

Based on the 2012 graphic novel The Coldest City written by Antony Johnston and illustrated by Sam Hart, Charlize Theron stars as undercover MI6 agent Lorraine Broughton, who is sent to Berlin in the late 80’s during the fall of the wall. There, she is tasked with two key assignments by her boss, Eric Gray (Toby Jones). She must investigate the murder of a fellow MI6 agent, whom she was close to, and recover a list containing the names of several double agents, which was in the possession of her colleague.


A couple of possessions that are no secret in this spy movie is its very stylish visual design and dynamic music score. These post-production cosmetic enhancements certainly give the film a facelift, though ATOMIC BLONDE can’t always keep up with the coolness constantly being exuded by the one and only Charlize Theron. 

In much the same scintillating high level of form here as she was in MAD MAX: FURY ROAD, Charlize is reason enough to buy your ticket for admission to ATOMIC BLONDE. Atmospherically, this is a spy action movie that is easily absorbed. The glitzy and glamourous use of fluoro colour, its heavily used soundtrack and a sharp and slightly darkened sense of humour is undeniably fun to watch. From this arc, it’s a little bit like last year’s SUICIDE SQUAD. Though let me tell you, unlike that film, ATOMIC BLONDE does not hold back on the violence. Or the sexier stuff either! Fortunately, and again much like the JOHN WICK movies, ATOMIC BLONDE showcases a number of impressively choreographed fight sequences and action stunts, all of which are led from the front by an extremely hard-working Charlize Theron. I know, I just won’t shut up about her! Unfortunately, where ATOMIC BLONDE does let its guard down to an extent that is felt, is in its pacing and narrative department. It’s during these times that the reliance on its most notable features are just too heavy. 

Don’t be surprised if in five to ten years from now, John Wick and Lorraine Broughton appear in the same film, or film universe at least! If this and Wick’s last chapter are anything to go by, that might not be such a bad idea at all!

3 stars

Viewer Discretion/ MA15+ Restricted (Strong violence, coarse language and sex scene) 

Trailer / ATOMIC BLONDE

Moviedoc thanks Universal Pictures for the invite to the screening of this film.

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