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CLASSIC FILM REVIEW – SOME LIKE IT HOT (1959)

Some Like It Hot (1959)

If SOME LIKE IT HOT were to be remade (Please, NO!) or a film with a similar plot is brought to the big screen by Hollywood today, it would likely be a crude affair filled with forced, exaggerated and outrageous humour intended to satisfy a mainstream crowd.

I am sorry for sounding so cynical. The truth is, however, that American-made comedies are rarely produced to the same refined quality in taste, broadness in capacity to earn laughter and with such captivating performances as demonstrated here. Take for instance how the screenplay maintains the significance and seriousness of the depression era it is set, yet cleverly utilises this period of history to extract a lighter story to tell. The remainder of the movie, in which ladies attire and female names are adopted by lead male stars Tony Curtis and Jack Lemmon, is quite daring for its time. There were many audience walk-outs during an early sneak preview of SOME LIKE IT HOT, which was even banned in the state of Kansas upon its original release citing that the cross-dressing was “too disturbing for Kansans”!

To further prove that SOME LIKE IT HOT is never here to seek a cheap laugh is the number of briefly-stated yet striking comments and actions of value from its characters. One of the most memorable examples to give is the comment made by Jack Lemmon’s character after he becomes fed-up by the continual harassment of men who are attracted to his feminine appearance believing he is indeed a woman! This is a literal illustration of learning what life is like in someone else’s shoes when you wear them! And as is the case with SOME LIKE IT HOT’s real star, Marilyn Monroe (who was pregnant during filming), this movie becomes more joyous to watch as it continues.

It’s fair to say that while there are still comedies of fine quality being produced and an abundance of outstanding actors on the silver screen that we love to this very day, there is simply no modern day Marilyn and no comedy quite like SOME LIKE IT HOT.

4 ½ stars

Review by Leigh for Moviedoc
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BEST & WORST MOVIES OF 2017 including the highlights and some low-lights

Hello everyone

Firstly, a huge thank you for every review you have read, liked, shared, commented on and even chatted to me about in person. Thanks to you and your incredible support, I had a very productive year of film watching and reviewing!

In total, I got to see and review 141 films officially released in 2017 alone, which is 15 more than I was able to see at this same time in 2016! Of these, more than 25 movies received a 4 star rating from me, so I have compiled a ‘Best 25’ list this year as well as a ‘Worst 5’.

I hope you thoroughly enjoy reading this post. I also hope you take away a handful of films to see that you’ve never previously heard of or watched!
As always, please get in touch to share your views and best & worst movies.

I look forward to your continued support and interaction in what will be an even bigger and busier year of film watching & reviewing in 2018, where I hope to review a monthly classic and bring a review or two fresh from my attendance at film festivals!

Moviedoc 🙂

Moviedoc’s Best 25 Movies of 2017

25
WONDER
4 stars

A beautiful and meaningful story featuring a great cast that will make you cry a little but feel plenty of joy

24
PADDINGTON 2
4 stars

As sweet as marmalade itself and a sequel that’s every bit as good, if not better, than the first film. Paddington is no one-trick teddy bear!

23
THE LEGO BATMAN MOVIE
4 stars

Arguably and in my opinion, this is the best rendition of Batman, ever! Utterly hilarious at times and scores Moviedoc’s #1 spot (just!) for best family film of 2017!

22
INGRID GOES WEST 
4 stars

All at once, this is an uncomfortably funny, dreadfully saddening and downright frightening exposé of just how far a social media addiction and obsession can take a person. Highly recommended!

21
GIFTED
4 stars

A splendid drama! One of the most underrated films of 2017! If you haven’t already, it is time to unwrap this true gift of a film.

20
THE BIG SICK
4 stars

A broadly appealing and wholly accessible romantic comedy-drama that’s not only based on a true story but even stars one of the real-life subjects; stand-up comedian, actor and writer, Kumail Nanjiani

19
BABY DRIVER
4 stars

It’s been a solid year for heist movies and this is the best of them. Flawless car chase sequences and an outstanding music score drive this slick and unique heist film. Hopefully BABY DRIVER won’t lose popularity due to co-starring Kevin Spacey, for it absolutely deserves to be seen.

18
MISS SLOANE
4 stars

Enthralling! I’ve been told those who are into TV Series “House of Cards” will want to see this. Sorry for making another connection to Kevin Spacey!

17
FENCES

4 stars

Can be a challenge to watch, especially during the first half. However, Denzel Washington’s Oscar-nominated performance playing a character he’s portrayed on Broadway 114 times before and Viola Davis’s Oscar-winning acting are so stellar in a movie that becomes absolutely riveting

16
THE BEGUILED
4 stars

Beautifully filmed and impeccably acted by one of the stand-out ensemble casts of the year. An excellent film from director Sofia Coppola.

15
MOONLIGHT
4 stars

You haven’t seen a story quite like the one told in MOONLIGHT before. This is the Best Picture Winner at the 2017 Academy Awards earlier this year. Brave and heartfelt storytelling.

14
MOUNTAIN
4 stars

A majestic and breathtaking cinematic experience. The Australian-made MOUNTAIN is 2017’s best documentary feature.

13
THE SALESMAN
4 stars

This is acclaimed Iranian director Asghar Farhadi’s (THE PAST, A SEPARATION) latest feature film. An immaculately devised and strongly executed domestic drama with a gripping finale.

12
DUNKIRK
4 stars

A minimalist war film that draws maximum anxiety and exacts a claustrophobic stranglehold over its viewers from start to end thanks largely to the ever-present score by Oscar-winning film composer, Hans Zimmer

11
HOUNDS OF LOVE
4 stars

A similar breed of film to 2011’s SNOWTOWN, HOUNDS OF LOVE is an unnerving and tense dramatic thriller that showcases an outstanding music score, cinematography and acting. The best Australian film of 2017.

10
LAND OF MINE
4 stars

An Oscar-nominated foreign film taking place after WWII, which depicts a group of very young German POWs sent to Denmark to clear thousands of hidden land mines. Stomach-turning tension is guaranteed.

9
LOVING VINCENT
4½ stars

The first-ever oil painted feature film about Vincent van Gogh is never solely limited to its visual capabilities. A sublime film.

8
SILENCE
4½ stars

Martin Scorsese’s passion project and three-hour epic is a bravely written piece that is expertly penned toward the most religiously devout. A near-masterpiece.

7
WAR FOR THE PLANET OF THE APES
4½ stars

The PLANET OF THE APES film series is now officially one of my favourites, if not my absolute favourite film franchise. Combines mesmerising CGI and cinematography with a powerful and relevant story that has a strong message for humankind. I just love it!

6
MANCHESTER BY THE SEA
4½ stars

The storytelling structure, its well-studied account of key themes and the honesty of its writing and character depiction achieves MANCHESTER BY THE SEA A-grade status.

5
PERFECT STRANGERS
4½ stars

What happens when a close-knit group of friends meet for dinner and share every text message, email and phone call received with one another? You will want to find out! Italian comedy PERFECT STRANGERS features one of the most cleverly conceived and carefully-considered screenplay’s of the year.

4
GET OUT
4½ stars

Movies as genius as this are few and far between. Masterfully and studiously crafted, intelligently written and flawlessly executed, GET OUT is a broadly appealing and accessible horror film at heart that functions as a menacing mystery invite to all. If you haven’t already, please accept your invitation, pronto! You will not regret it.

3
LADY MACBETH
4½ stars

Witness one of the most conceivably written, daring and exciting character transitions seen in recent years. This fierce, fearless and electrifying film turns the period drama genre on its head in near flawless fashion and is the breakout film for its star, Florence Pugh, who is scintillating. Unmissable!

2
DOWNSIZING
5 stars

The last film to receive 5 stars from me was THE HUNT in 2013! Well, it had to take something very special to break that lengthy drought. Simply put, you have never seen a film quite like DOWNSIZING before. It is extraordinary. I admired its continual refusal to yield to any form of mainstream cinema convention, despite being a mainstream-friendly release. It also unearths one of the truest & most beautifully conceived and written characters I’ve seen in any film. Hong Chau (from acclaimed TV Series Big Little Lies) is just superb as Ngoc Lan Tran, in what is one of this year’s acting highlights. Absolutely amazing in every way imaginable.

THE BEST MOVIE OF 2017

CALL ME BY YOUR NAME 
5 Stars

It took me until February, 2018 to see this sensual and picturesque masterpiece. CALL ME BY YOUR NAME not only met my high expectations, it by far exceeded them. This slow-building drama set in northern Italy during a hot summer in 1983 is so precise and honest yet powerfully subtle in its articulation of the complex emotions and sensitive scenarios involving its characters. It takes some time for the forthcoming relationship to develop, yet does so organically and in complete avoidance of all stereotypes. By the time its extraordinarily moving and meaningful finale arrives, CALL ME BY YOUR NAME simply overwhelms. The ultimate meaning and key themes of this beautifully produced film earn an equal amount of appreciation as the stunning production, stand-out score and immaculate performances achieve.

Armie Hammer and Timothée Chalamet in Call Me by Your Name (2017)

Moviedoc’s Worst 5 Movies of 2017

5
BAYWATCH
1 ½ stars

Not even the charismatic Dwayne Johnson can save BAYWATCH from drowning in its own dump.


4
CHIPS
1 ½ stars

Unfunny. Sexist. Nasty. Avoid!


3
JIGSAW
1 star

Jigsaw may do a Jesus by way of his resurrection, however he is certainly no saviour to the eternal damnation sentenced upon the viewer in this dreadful reboot. Now, please stay dead.

2
SNATCHED
1 star

Goldie Hawn should have remained in her fifteen-year movie hibernation. Terrible movie.

THE WORST MOVIE OF 2017

T H E  M U M M Y
1 star

An unacceptable first instalment in Universal’s rather forced Dark Universe film series that seemingly exists purely to rival Marvel and the like. Yet sadly, THE MUMMY still grossed $409.1 million worldwide, which means there’ll probably be more to come. A score of just 5.5 on IMDB and 16% on Rotten Tomatoes more than justifies why this utterly dreadful reboot is the worst of the 141 movies released this year I have seen.

Still with me? Good! Now we go to some highlights and low-lights of 2017

The acting stand-outs of 2017

Timothée Chalamet in CALL ME BY YOUR NAME
Hong Chau – DOWNSIZING
Florence Pugh – LADY MACBETH
Danielle MacDonald – PATTI CAKE$
James Franco – THE DISASTER ARTIST
Emma Booth and Stephen Curry – HOUNDS OF LOVE
Naomie Harris – MOONLIGHT
Denzel Washington and Viola Davis – FENCES
Aubrey Plaza – INGRID GOES WEST
Teresa Palmer – BERLIN SYNDROME
Barry Keoghan – THE KILLING OF A SACRED DEER
Sonia Braga – AQUARIUS
Oscar Isaac – SUBURBICON
Hugh Grant – PADDINGTON 2
John Lithgow and Salma Hayek – BEATRIZ AT DINNER
Nicole Kidman – THE KILLING OF A SACRED DEER & THE BEGUILED
Dev Patel and Sunny Pawar – LION
Pierre Niney and Paula Beer – FRANTZ
Brian Cox – CHURCHILL
Jessica Rothe – HAPPY DEATH DAY
Tiffany Haddish – GIRLS TRIP
Sally Hawkins – MAUDIE
Hugo Weaving – JASPER JONES

Films to add to your watch list not in my Best 25 from 2017

PATRIOT’S DAY
LIFE
BATTLE OF THE SEXES
THEIR FINEST
A MONSTER CALLS
COLOSSAL
LION
COLLATERAL BEAUTY
SUBURBICON
THE BOSS BABY
BERLIN SYNDROME
LOGAN
THE DISASTER ARTIST (But watch clips from YouTube of THE ROOM first, if you haven’t already seen it!)

Most over-rated and/or most disappointing films from 2017

KINGSMAN: THE GOLDEN CIRCLE
JACKIE
MURDER ON THE ORIENT EXPRESS
VICTORIA & ABDUL
THINGS TO COME
THE SNOWMAN
A CURE FOR WELLNESS
GOD’S OWN COUNTRY
LOVING
A SILENT VOICE
ALONE IN BERLIN
TRESPASS AGAINST US
GOLD
THE FLORIDA PROJECT

The highlights in films from 2017

Hong Chau’s character in DOWNSIZING
The uniquely hand-painted visual experience in LOVING VINCENT
The extreme slo-mo’s in HOUNDS OF LOVE
The development of the relationship and the first intimate scene between Elio and Oliver in CALL ME BY YOUR NAME
The atmosphere and the battle sequences staged in DUNKIRK
The real footage of a tightrope walk between two mountain peaks in MOUNTAIN
The final dinner table scene in THE BEGUILED
The car chase sequences and the music score in BABY DRIVER
A reaction from a particular water monster in THE LEGO BATMAN MOVIE
The birthday party sequence & guest arrivals in TONI ERDMANN
The visual and aural experience in GHOST IN THE SHELL
The dialogue and its delivery from Tiffany Haddish in GIRLS TRIP
The final action sequence on the ice in Iceland in THE FATE OF THE FURIOUS

Best horror film

GET OUT
(A clear stand-out, however if that’s not scary enough for you, then try out IT COMES AT NIGHT, HAPPY DEATH DAY and IT. None of these films managed to scare me though!)

Best crying film
A MONSTER CALLS
(Even though its title suggests this belongs in the above category! Not the first time director J.A. Bayona has claimed this spot at the end of the year. THE IMPOSSIBLE was his previous movie)

Best lol film

PERFECT STRANGERS
(However, if you want something more mainstream, then try THE DISASTER ARTIST and GIRLS TRIP)

Best love story or romantic film

CALL ME BY YOUR NAME

Most unique/strange films

THE KILLING OF A SACRED DEER
MOTHER!

Highest Grossing Film – Worldwide

BEAUTY AND THE BEAST
($1.26 Billion)

Highest Grossing Film – In Australia

BEAUTY AND THE BEAST 
($36.3 Million)

Compiled by Moviedoc
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PADDINGTON 2

Director
Paul King

(PADDINGTON)

Stars
The voice of Ben Whishaw, Hugh Grant, Brendan Gleeson, Sally Hawkins, Hugh Bonneville, Julie Walters and Jim Broadbent

In his first-ever feature-film outing, Paddington bear was a huge success. At home in the United Kingdom, PADDINGTON was the second highest family film debut of 2014 and it received two nominations at the British Academy Film Awards for Best British Film and Best Adapted Screenplay. Worldwide, the family film grossed $265.3 million from its $50-$55 million budget including $76.3 million in the United States. In his first-ever feature film sequel, Paddington proves that he is no one-trick teddy bear.

For the past few years, Paddington (voiced by Ben Whishaw) has lived with and become part of the Brown family in London, as illustrated by the opening of this sequel. Though far apart, Paddington has not forgotten his real family from the Peruvian jungle where his Aunt Lucy (voiced by Imelda Staunton) is soon to turn one-hundred years old. When Paddington visits an antique store owned by Mr Gruber (Jim Broadbent), he comes across an old book that features several of London’s landmarks and decides to get a job in order to save the cash needed to purchase the perfect gift for his Aunt. Little does he know, this book is also being sought after by former TV star and wannabe solo stage performer, Phoenix Buchanan (Hugh Grant), who manages to steal the book before Paddington can purchase it.


Rest assured, this premise, which might not sound particularly enticing on paper (or screen, for that matter), serves to be a mere springboard for the adventure, excitement and laughter this fun-filled live-action sequel is guaranteed to give the entire family! Without revealing the specifics, Paddington’s desperate pursuit of the antique book and the masked burglar who took it will introduce him to a whole new array of colourful characters and cast him in a starring role in the numerous inventive scenarios to follow. Yes, this does mean that Paddington is away from the Brown family for most of this film’s duration, however they still play a very important role in fulfilling Paddington’s mission. So not only are all past and present characters such wonderful company all throughout, they are also each creatively conceived and contribute meaningfully to all proceedings. A perfect example of just that revolves around what Paddington aspires to and indeed does achieve at a particular facility. Classic stuff!


Thank goodness that FLORENCE FOSTER JENKINS and Meryl Streep wooed Hugh Grant out of his premature retirement. He is in as dashing form here, portraying a narcissistic and flamboyant villain, as he was in any film from his heyday. It is an act worth the price of admission alone. Another fan favourite among adults and children alike will be Brendan Gleeson’s extremely likable outing as an unapproachable and irascible head chef named “Nuckles”. Having detected a softness in Nuckles’ heart that was understood to be non-existent, the brave and utterly endearing manner in which Paddington attempts to extract it is as sweet as marmalade itself. The reactions from Paddington’s audience who witness this risky business and the hilarious shenanigans they get up to produces family comedy at its finest.

Director Paul King left WONDER to direct this sequel and has repeated the original’s excellence whilst reinventing the all-ages adventure and story. Don’t miss it!

4 stars

Viewer Discretion
(Very mild themes and violence)

Trailer
PADDINGTON 2

Moviedoc thanks Asha Holmes Publicity and Studiocanal for the invite to the screening of this film.

Review by Moviedoc / “LIKE” on Facebook – Moviedoc

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WONDER

Director
Stephen Chbosky
(THE PERKS OF BEING A WALLFLOWER)

Stars
Jacob Tremblay, Julia Roberts, Owen Wilson, Izabela Vidovic and Noah Jupe

Most of you are aware that WONDER is based on the New York Times best seller of the same name by author Raquel Jaramillo (better known by her pen name, R. J. Palacio).  Less of you will know the source of her inspiration for writing the story that is told in WONDER. While out for ice cream with her young son one day, Raquel and her three year-old boy saw a young girl with facial defects, which immediately resulted with the author’s son bursting into tears. Sometime after this incident, R. J. Palacio heard the song “Wonder” by Natalie Merchant and recognised an opportunity to teach society a valuable lesson after listening closely to its lyrics.

Born with the extremely rare medical syndrome Mandibulofacial Dystosis (or Treacher Collins Syndrome), August “Auggie” Pullman (Jacob Tremblay from Oscar-winning film ROOM) has already undergone twenty-seven facial surgeries so far in his young life. This is the main reason for his delayed induction into elementary school, where he is about to commence fifth grade after being previously home-schooled by his mum, Isabel (Julia Roberts). With the additional support of his older sister Olivia (Izabela Vidovic) and father, Nate (Owen Wilson), Auggie embarks on the courageous and frightening journey of starting school and attempting to make friends.


A perfect family film in every way imaginable, WONDER is a beautiful movie that deserves all of the warm reviews, audience affection and box office success it’s currently the recipient of.

Upon grasping the story, it becomes instantaneously transparent what the intentions of WONDER are going to be. However, this wonderful story grows even closer to your heart and adds further meaning & significance by broadening its scope to sharing separate perspectives covering Auggie’s story. Aside from the greater depth given to its characterisation, each of these viewpoints permit the film’s narrative to both bring and build on less obvious themes covered in WONDER, such as peer pressure and neglect. On the subject of its themes, whether it is showing some of the repercussions of bullying, illustrating the importance of inclusion or asking us to change the way we see, WONDER always conveys its non-preachy message with decency, courage and integrity. Though he is the primary victim of that bullying, Auggie is an incredibly endearing character whose gorgeous sense of humour and inspiring resilience never allows the profound sympathies of his audience to turn to deep sorrow. Young actor Jacob Tremblay articulates this just perfectly. WONDER also features many immaculate performances from both its younger cast (Noah Jupe as Auggie’s friend, Jack, is a stand out) and its more experienced actors, Julia Roberts and Owen Wilson.

Working up a perfect balance of feel-good and heartfelt moments, WONDER is a wholly connecting film that is completely accessible to all ages. Highly recommended!

4 stars

Viewer Discretion
PG (Mild themes and coarse language)

Trailer
WONDER

Moviedoc thanks Roadshow Films for the in-season pass provided to watch and review this film.

Review by Moviedoc / “LIKE” on Facebook – Moviedoc

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THE LEGO NINJAGO MOVIE

Directors / Charlie Bean, Paul Fisher and Bob Logan (Feature Film Debuts)
Stars/ The voices of Jackie Chan, Dave Franco, Justin Theroux, Michael Peña, Kumail Nanjiani, Olivia Munn, Abbi Jacobson, Zach Woods and Fred Armisen

The Lego film world raises its third spawn with the release of THE LEGO NINJAGO MOVIE, which is the first theatrical Lego movie to be based on an original Lego property.

Diverting from the original TV series, the plot follows Lloyd Garmadon (voiced by Dave Franco), who by day is struggling with the daily pressures of high school and by night is secretly protecting Ninjago with five other classmates. Each of these teenagers, with the exception of Lloyd, possesses a special power. Kai (voiced by Michael Peña) is the red ninja of fire, his sister Nya (voiced by Abbi Jacobson) is fittingly the ninja of water and her love interest Jay (voiced by THE BIG SICK star Kumail Nanjiani) the ninja of lightning. Then there’s also the ninja of ice, Zane (voice of Zach Woods) and the ninja of Earth, Cole (voiced by Fred Armisen). Lloyd is understandably frustrated that he is seemingly the only participant of his group not gifted with his own special power. To make matters worse, his distant father, Lord Garmadon (voiced by Justin Theroux) has plans to take over and rule the city of Ninjago.


The second spin-off in the growing Lego film series features many of the same materials that were used in constructing exceptionally solid entertainment in previous Lego worlds, yet have produced a feebler finished product in THE LEGO NINJAGO MOVIE.

In total, nine story and screenplay writers (some of which are from the previous Lego movies) have gathered to create THE LEGO NINJAGO MOVIE, which is the highest number of contributors in this filmmaking department in any Lego movie so far. Somehow, their combined efforts aren’t enough to make what is a distinctly familiar plot on paper, to be written with a maintained level of creativity that both previous Lego films were so abundant with. For instance, this animated family film is equipped with the same variety of comedy that worked a treat previously, albeit at a much less frequent occurrence in Ninjago. Instead, the less than exciting computer generated action sequences are licensed to fulfil greater screen time, which result in a rapidly tiring ability for THE LEGO NINJAGO MOVIE to entertain an all-ages crowd. There are moments throughout this animated action-comedy where it displays the wittiness in writing, storytelling and characterisation we’ve now learnt to expect from a Lego movie. Though this time around, those moments are fleeting only.

2 ½ stars

Viewer Discretion/ PG (mild animated violence)

Trailer / THE LEGO NINJAGO MOVIE

Moviedoc thanks Roadshow Films and Village Cinemas, Jam Factory for the invite to this film screening.

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A MONSTER CALLS

Director / J.A. Bayona (THE IMPOSSIBLE, THE ORPHANAGE)
Stars/ Lewis MacDougall, Felicity Jones, Sigourney Weaver, Toby Kebbell and the voice of Liam Neeson

A monster is indeed calling, but not with the same intentions that most monsters are noted for. 

The original idea for A MONSTER CALLS began with British writer and activist Siobhan Dowd, who was sadly unable to finish her novel of the same name due to the terminal illness that claimed her life. From there, the writer of this film’s screenplay, Patrick Ness took over.

The monster that inhabits A MONSTER CALLS comes in the form of a very large and branchy motion-captured tree voiced by Liam Neeson. In a tone that is just as potent as he adopted over the phone in TAKEN, the tree monster sternly advises twelve year-old Conor O’Malley (Lewis MacDougall) that he will tell him three true stories, each with a separate meaning very relevant to Conor’s current existence. After the three stories have been told, Conor must tell a fourth, which will reveal the truth behind his greatest fear.

Featured on the 2013 Blacklist of most liked unmade scripts, A MONSTER CALLS is a beautifully rendered motion picture.

As most of you reading this will likely be aware, one of the central characters in this film is succumbing to a terminal illness. Understandably, parents may feel that a movie with such a sombre theme that also features a monster as the main character is definitely not for children. Though there should be considerations made for younger audiences heeded as suggested by its PG classification, A MONSTER CALLS is in fact a mightily accessible, involving and valuable film for most age levels. Just how this has been achieved is why this is such a great film. The writing is honest and mature, the visual work has been compellingly detailed and young Lewis MacDougall gives a gutsy lead performance, to name a few reasons.

Quite astonishingly and respectably, A MONSTER CALLS refrains from being saddening throughout. Rather, emotions are kept at bay until just when the timing is right for the inevitable emotional catharsis that awaits. However, thanks to its structure and fine execution, even these heartfelt moments of the film are therapeutic in nature. Any concerns that may be had regarding what sort of mood this wonderful film will leave at its conclusion can be erased by the role of another essential character, played by Sigourney Weaver. Although she possesses a hardened exterior, Weaver’s kind-hearted grandmother is a vital contributor towards enabling Conor to overcome those fears in his own story. 

This film is definitely worth seeing, even if that has to be once its run at cinemas is complete.

3 ½ stars

Viewer Discretion/ PG (Mild themes and violence, some scenes may scare children) 

Trailer / A MONSTER CALLS

Moviedoc thanks entertainment One for the pass provided to see and review this film.

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DESPICABLE ME 3

Directors/ Kyle Balda, Pierre Coffin, Eric Guillon
Starring the voices of/ Steve Carell, Kristen Wiig, Jenny Slate, Julie Andrews, Steve Coogan, Trey Parker, Russell Brand, Pierre Coffin and Miranda Cosgrove

The most recent get-together with everyone’s favourite DESPICABLE ME characters, the minions, didn’t quite manage to get the best out of the little yellow henchmen in their very first feature film. As expected, the novelty of MINIONS placing the minions in a starring role quickly wore off. They get another shot at it in 2020. Until then, they return to their original support role in the third DESPICABLE ME movie.

In DESPICABLE ME 3, Gru (Steve Carell) learns that he has a twin brother whom he never knew existed, named Dru (also voiced by Steve Carell). After finding, then meeting Dru for the very first time, the twin siblings catch up with all they’ve missed out on over the years. When Dru reveals a plan to steal a diamond in the possession of Balthazar Bratt (Trey Parker), a former child star who resents Hollywood for axing his show, it tempts Gru into returning to past ways.


Take one look at the choice of films currently being screened at cinemas that rely on mainstream movies, and you’ll quickly notice an abundance of sequels, remakes and films based on or spinning off previous works in dominant force. Although this third addition to the animated comedy series doesn’t offer an ounce of originality, it does just enough to keep the attention of younger ones mildly diverted.

Throughout the consistently paced central plot involving Gru and Dru, there are the usual cutaways that give the minions valuable screen time to give the movie a burst of energy and a good laugh when needed. They get up to their usual antics in DESPICABLE ME 3, which features a number of scenarios that will bring moments of joy to adults and kids alike. Perhaps the favourite of them all will be the time that the minions accidentally find themselves standing centre stage on the set of a reality TV program. We can be thankful that the minions find good form again in DESPICABLE ME 3, for the main plot of this movie lacks the creativeness in writing needed. Separately, an annoying feature that may only be noticed by select members of the audience is the needlessly over-the-top animation and vocal work attributed to some of its characters.

DESPICABLE ME 3 isn’t as good as the two previous films, yet is an improvement on MINIONS and should provide a reasonable level of entertainment to families who remain devoted fans of the DESPICABLE ME franchise.

2 ½ stars

Viewer Discretion/ PG (mild themes and animated violence)

Trailer / DESPICABLE ME 3

Moviedoc thanks Universal Pictures for the invite to the screening of this film..

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